Articles

My published work dating back to early 2022: interviews, essays, reviews, news beats, and features covering everything from TV retrospectives to political commentary, album reviews to art shows. To see coverage of a specific beat (i.e., music or film), use the "search by tags" feature to narrow down the results!

Mitski, 'Nothing's About to Happen to Me' Album Review

There’s a famous Margaret Atwood passage about the impossibility of going unwatched as a woman, about how solitude doesn’t actually neutralize the gaze so much as internalize it. The “watcher” migrates from the world outside to the space behind your own eyes until “you are a woman with a man inside watching a woman,” until “you are your own voyeur.” Even inside the comfort of one’s own home, the surveillance state and its subject share a single body. Mitski’s eighth album is, on its surface, a r...

12 acts to see at this year’s New Colossus Festival

My fellow New Yorkers, we must prepare ourselves: the New Colossus Festival is upon us once more. Beginning tomorrow, 180 bands will descend upon the streets of the Lower East Side, taking over 12 separate venues for five straight days. It’s a lot, and it’s not for the faint of heart. But fear not: we here at Paste hope to make the considerable challenge of deciding which bands to see a little easier. Here are the acts we’re most looking forward to at this year’s fest.
Aunt Katrina
Aunt Katrina...

Andrew Bird cracks open The Mysterious Production of Eggs

The Mysterious Production of Eggs didn’t arrive in the world so much as it slowly hatched, one false start and discarded version at a time, in the long shadow of a red barn in western Illinois. By the time it was finally released in February 2005, Andrew Bird had already made and scrapped the album twice, relocated from Chicago apartments to his family’s Driftless-area farm, built himself a studio by hand, and discovered that the barn he thought would be his recording salvation was better suited...

Nobody asked for a Gnarls Barkley reunion

I’m pretty sure I fell out a window and woke up in 2006, Frank Reynolds-style, because that is the only conceivable explanation for why I opened my laptop to see headlines cheerfully announcing new music from Gnarls Barkley, the collaborative project of singer CeeLo Green and producer Danger Mouse. This can’t possibly be happening in 2026, right? I mean, we’ve allegedly advanced as a society, have we not? We’ve invented, like, six new kinds of AI, survived a pandemic, sat through ten different J...

The man Bill Callahan is trying to be

The title My Days of 58 sounds like it belongs on the spine of a slim, sun‑faded memoir, something labored over by a man who’s finally ready to decide what mattered and what didn’t. In Bill Callahan’s case, it arrived a lot more casually than that. The phrase arrived courtesy of his 10‑year‑old son, Bass, who wandered in while Callahan was working and wanted to know what the new record was called. When his dad admitted he didn’t have a name yet, Bass took it upon himself to solve the dilemma. “H...

Inside Jeffrey Epstein’s unrealized “P factor” plan for EMI

16 years ago, Jeffrey Epstein looked at one of the biggest record labels on earth and saw the same thing he saw in model agencies and fashion shows: a “P factor” score. (One can reasonably infer the “P” refers to “pussy.”) The now‑public emails around his abortive bid for EMI are a paper trail showing how a convicted sex offender and his friends talked about the industry that signs our favorite artists, negotiates their masters, and decides who gets a slot on which stage—and how little any of it...

Alysa Liu won Olympic gold and has great music taste

The world’s coolest girl just got even cooler. After winning two gold medals this Winter Olympics—the first gold America has received in women’s free skating since 2002—figure skater and all-around people’s princess Alysa Liu skated to the Zara Larsson remix of PinkPantheress’s “Stateside” at the Olympic Exhibition Gala this past Saturday. Everyone say it with me now: boots!Paste named “Stateside” one of its favorite tracks of 2025—as writer Cassidy Sollazzo wrote: “When it was announced that Fa...

cootie catcher: The Best of What’s Next

When cootie catcher’s video call fills my laptop screen, the Toronto four-piece are lounging on a couch at their practice space, framed by a massive, regal Lady and the Unicorn tapestry on one wall.
 “Oh! Wow. Big tapestry,” I say, dumbly. “That’s the, like, famous one, right?”
“Oh, uh, I have no idea what this is,” guitarist/vocalist Nolan Jakupovski replies, completely caught off guard.Giggling, bassist‑vocalist Anita Fowl then offers to “show the Gibby” instead, an ostensibly baffling suggest...

Beggar Weeds are doing their own thing in their own time

In the late 1980s, the whole of the Southern alternative scene knew Beggar Weeds as the up-and-coming speed-folk outfit co-signed by Michael Stipe of R.E.M. fame and destined for an imminent break into the big time. They were a trio of mid-twenties guys who spent most of their time shredding at the legendary venue Einstein A Go-Go, scouring junkyards for the weirdest tossed-out signs they could find, and hightailing it from the near-constant fights in Jacksonville’s “blighted area” as fast as th...

Uncovering Richard Branson’s relationship with Jeffrey Epstein

Ever since January 30, when the Justice Department released 3.5 million documents related to the Epstein case, many prominent figures—politicians, CEOs, professors, heads of the Nobel Prize committee—have come under renewed scrutiny for their ties to Epstein. The music world has hardly been immune, as can be seen in Paste’s thorough coverage of the Casey Wasserman revelations and the subsequent backlash he received from artists. Wasserman, however, was not the only music mogul named in the files...

The lost art of the mashup

Associate Editor Casey Epstein-Gross’s column Cultural Reset features regular deep dives into the impact of music on culture—and vice versa—in the 21st century from the perspective of someone born and raised within it.
My memory is a sieve. I remember almost none of my middle school teacher’s names, have to Google basic recipes every time I make them, and constantly forget why I walked into rooms. But ask me what song comes in right after Gotye sings the title line of “Somebody That I Used to Kn...

Is Charley Crockett the only cowboy willing to resist country music's MAGA machine?

In a blistering Instagram post following Bad Bunnyʼs history‑making, ICE‑shredding Super Bowl halftime show, Charley Crockett took a flamethrower to Donald Trump, Elon Musk, Peter Thiel, and the entire MAGA‑country aesthetic that’s spent the last week frothing about the Puerto Rican popstar that’s taken the world by storm. Country music has had a rough go of it as of late, considering nearly every artist performing at Turning Point USA’s god-awful “All-American Halftime Show” was a proud represe...

I wasted 30 minutes of my life watching the Turning Point USA halftime show so you don’t have to

When Turning Point USA announced it was staging an “All‑American Halftime Show” to protest Bad Bunny’s performance, I braced for a fascist clown rodeo: a flags-and-Jesus spectacular for people who think Spanish lyrics are a globalist psy-op and dancing is a gateway drug to drag brunch (which is itself, of course, a gateway to hell). What we ended up receiving last night was arguably worse: a fascist clown snoozefest. Really, calling that thing a “halftime show” is like calling your tween’s self-...

The least powerful people in Casey Wasserman’s world are paying the ultimate price

If you missed the first round, the short version is: newly released Epstein files show the LA28 chair and CEO of Wasserman Music trading horny little missives with Ghislaine Maxwell in 2003, the same Maxwell who is now serving 20 years for helping Jeffrey Epstein traffic girls. Casey Wasserman insists he barely knew Epstein, that the Africa trip was a Clinton Foundation humanitarian junket, and that these emails are anc...

Casey Wasserman is in the Epstein files, and his roster is pushing back

Boy, is it a bad time to be named Casey and also Epstein. Gross! Because, unfortunately for me, Wasserman CEO Casey Wasserman managed to make all parts of my name relevant in one sickening fell swoop.
Wasserman has spent the last few years positioning himself as two things at once: the benevolent power broker behind half of Hollywood’s entertainment infrastructure, and the guy polishing Los Angeles’ halo ahead of the 2028 Olympics. Both versions took a serious hit last week, when newly released...

Ratboys, 'Singin' to an Empty Chair' Album Review

There are not, I don’t think, very many albums about therapy. To be fair, therapy only recently stopped being a cultural shorthand for weakness; its framing as a kind of basic maintenance, like going to the dentist for your brain, is an awfully new one. But there’s also the simple fact that therapy itself is stubbornly uncinematic. A great deal of art still worships at the altar of the emotional extreme: all-consuming rage, obsessive desire, bottomless grief, impossible joy. The myth of the suff...

Turnstile follow Grammy wins with statement on state violence

As of Sunday night, Turnstile just became the rare hardcore band to walk out of the Grammys with actual hardware—the Baltimore group won two awards at the Premiere Ceremony, taking home Best Rock Album for Never Enough and Best Metal Performance for “Birds,” after also landing nominations for Best Rock Performance, Best Rock Song, and Best Alternative Music Performance. But in a new statement on Instagram, they frame that milestone less as a personal victory than as an uncomfortable vantage poin...

The guitar will never die

The first guitar that mattered to me was not mine. It was my dad’s: a regular‑guy acoustic in the corner of the office/playroom, strings a little dead, wood a little scuffed, transformed into a magic trick every time he played “Casey, Casey, Casey is my daughter / Casey, Casey, Casey, she loves running water” for the seventh time in a row while I spun myself dizzy behind the couch. In the grown‑ups’ world, guitars were supposedly dying, edged out by laptops and controllers and a whole discourse...

The 10 best and worst moments from the 2026 Grammys

The 68th Grammys came and went, but not without paying tribute to the power and resistance of music. The Recording Academy picked some weird winners, legacies were rewritten, some great and bizarre performances happened, acceptance speeches were used for anti-ICE positions, and Cher was Cher. There were first-time winners everywhere, including the Cure and TURNSTILE, but it was Bad Bunny who stood victorious at the show’s end. Here are the 10 best and worst moments from the 2026 Grammy Awards. S...

Every song from 'Popstar: Never Stop Never Stopping,' ranked

For reasons that remain unclear to me personally, the internet has decided that 2016 was a golden age worth yearning for. I, on the other hand, remember it as a never-ending humiliation ritual, but, well, to each their own. But even I have to admit that there was one beacon of light amidst the constant terrors: Popstar: Never Stop Never Stopping, The Lonely Island’s egregiously underrated celeb mockumentary (think Spinal Tap, but about a Bieber-core megastar whose meteoric rise and catastrophic...

Wolf Parade's 'Apologies to the Queen Mary' keeps finding new people to haunt

It’s always weird when a song you love goes viral. When I think of Wolf Parade’s anthemic “I’ll Believe in Anything,” I think of being 19 and clutching at the cheap green comforter of my dorm room bed, choking down furious sobs so my next-door neighbors wouldn’t hear me crying through the thin walls. I think of standing alone on Foss Hill at midnight, fingernails dug into the meat of my palms, my gaze cast up at the familiar sight of the Pleiades cluster and the line “Look at a place far away fr...

Sweden’s current streaming champ isn’t human, but at least their charts are

Ever heard of the song “Jag vet, du är inte min” by the up-and-coming artist Jacub? Yeah, me neither—but that just means we’re not Swedish. The folk-pop crooner has quietly become Sweden’s biggest song of 2026, racking up more than five million Spotify streams in a matter of weeks, all on the strength of a finger-picked guitar, a wounded chorus, and a man sadly realizing his late-night situationship is not, in fact, endgame. So who is this mysterious Jacub, anyway? As luck would have it, “he” is...

On 'Don’t Be Dumb,' A$AP Rocky makes both a case and a mess

Eight years is a long gap between albums in any genre, but in rap specifically, it’s not even a lifetime; it’s a generational turnover. Whole careers arrive, peak, flame out, and get repackaged as nostalgia in that span. I mean, last time A$AP Rocky released a record, Kanye wasn’t even a Nazi yet. Let that sink in.
Rocky himself has clearly been thinking about the wait. Too much, maybe. It’s understandable; he left off with the most divisive album of his career, 2018’s arguably too-experimental...

Bruce Springsteen condemns ICE's "gestapo tactics" at surprise show

Man, it’s always great when a beloved rockstar is actually, you know, a decent, good person. Rare, but great. I thank my lucky stars every day that Bruce Springsteen is one of them. The Boss, indeed.At a surprise weekend appearance at Light of Day Winterfest in Red Bank, New Jersey,  America’s most reliable avatar of working-class decency very calmly torched the Trump administration’s ICE deployments.
“We are living through incredibly critical times,” Springsteen told the crowd, before laying ou...
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